1965. WebVenus, Cupid, Folly and Time is an allegorical painting by the Florentine artist Agnolo Bronzino now in the National Gallery, London . I was pleased with the results and will use your services again. By 1515, he had begun to develop his Mannerist style as seen in his Joseph in Egypt (1515-1518) with its creation of an intricate but non-naturalistic space, where crowds clothed in swirling colorful robes mill about, their figures in exaggerated poses and proportions. This inner vision is at the heart of commedia performance. They all seem to express an Female voiceover: Of temptation. Facebook Linkedin Instagram Whatsapp Youtube. As art historians Marvin Trachtenberg and Isabelle Hyman wrote Giulio's "strange, chimerical imagination was most dramatically unleashed in his illusionistic fresco paintingsbut the architecture, too, is filled with complicated and unexpected effects.". The figure clutching their head behind Cupid has been variously identified as Suffering, Jealously and Syphilis, displaying some of the symptoms of the disease. The reason why this can be considered Mannerist is that Mannerist work often used allegorical meanings that are not always clear, in combination with themes such as eroticism and suffering. WebNorthern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Joseph walks ahead, orange robes billowing around him. Venus, Cupid, Folly and Time, 1545 Commissioned by Cosimo de' Medici of Florence as a gift to Francis I Complicated allegorical structure - Multiplicity of meanings Complex imagery and poses Figures in a congested composition, pushed to the . Talk by Colin B. Bailey and Peter Jay Sharp. Mannerism's reach was wide, with many important schools that cropped up to experiment within this new form. Female voiceover: He does. The subject matter of the painting is controversial. holding that [quiver], across her shoulder, down her You can control what cookies are set on your device in your "cookies settings". :format(jpeg):mode_rgb():quality(40)/discogs-images/R-16047257-1602507509-5926.jpeg.jpg)
If you continue to use this site, you consent to our use of cookies. The artist intended this as a tour de force, as it was one of the paintings he took with him to Rome when seeking the patronage of Pope Clement VII. linda lipnack kuehl biography 06/04/23. have slipped out of our grasp. However, artists like Jacques-Louis David, Pablo Picasso, Henri Matisse, and Giorgio de Chirico, were later inspired by "the master of the mannerist erotic scene," as Morris described Bronzino. The Guardian / Mannerism therefore tried to show a complex spectrum of emotions and puzzle the viewer. Its intended meaning is not entirely certain. attribute or symbol of Venus. The work is designed as a puzzle and has elements of mythology, emblematic images and possesses distinctive features of Mannerism. Adding to the mystery, to Cupid's left a grimacing haggard figure clutches her head, while, above, a face floats in profile, her hands unfolding the blue swirling cloth of the background. WebVenus and Cupid are identifiable by their attributes, as is the old man with wings and an hourglass who must be Time (not mentioned by Vasari). WebMannerism, also known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Mannerism and the Later 16th Century in Italy Sandrine Le Bail AP Art History . As a result the work takes on the quality of an unseen vision, perceived by the viewer and only a few among the gathering. Both were trained in the workshop of Andrea del Sarto, who employed High Renaissance principles while adopting an increasingly vivid color palette and a wide variety of figurative poses. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Some people have described Kern Valokuvausapu-sivustolle vinkkej, joista toivon olevan sinulle apua kuvausharrastuksessasi. Therefore, this style is often identified as "anti-classical",[25] yet at the time it was considered a natural progression from the High Renaissance. 
This bronze statue shows the Greek mythological hero Perseus, as he holds up the head of Medusa in a gesture of victory, while standing upon her contorted and collapsed body. At the same time, it shows a clear example of what made Mannerism both related to and different from the High Renaissance. Direct link to Joyce Chen's post Need help on Bronzino, An, Posted 5 years ago. By 1620, the Baroque period dominated, though the movement's emphasis on dramatic action and intensely emotional scenes can be seen as evolving from Mannerist treatments. Veronese's ability to seamlessly weave together these elements made his work innovative among the Mannerists, as did his sophisticated sense of composition and vivid contemporaneity. WebVenus, Cupid, Folly, and Time is an allegorical painting by Agnolo Bronzino in the style of the Renaissance Mannerist period. But, it does seem as though it's WebVenus, Cupid, Folly, and Time; An Allegory with Venus and Cupid; The Exposure of Luxury Michelangelo's most noted design was the Laurentian Library (1523-1568), which he began in 1523 after receiving a commission from Pope Clement VII, a member of the Medici family. The inclusion of so much imagery of secular life made the work somewhat scandalous to the public of its time, but Vasari quickly acclaimed Veronese's work. He was further influenced by Michelangelo's Sistine Chapel ceiling (1508-1512) upon moving to Rome, where the frescos and the figures painted on the surrounding pediments combined to create a singular effect. That figure seems to be painted as a mask. The court style that developed in Prague both propagandized for the Emperor and, by depicting mythological subject matter, avoided the controversy surrounding religious imagery. The numerous figures in the painting present a complicated relationship and symbolic network that is not easy to decipher and indeed still remains subject to many different interpretations to this day. It's thought that Cosimo I commissioned the work to be presented to King Francis I of France. Pope Julius II, the most powerful patron of the era and a noted collector of classical works, sent Michelangelo to oversee the statue's recovery. describing what we do understand. The Laocon also influenced other High Renaissance artists, as Raphael used Laocon's face in his Parnassus fresco (1509-1511) and Titian echoed the struggling figures in his Averoldi Polyptych (1520-1522). Francis I of France, for example, was presented with Bronzino's Venus, Cupid, Folly and Time. A man on horseback crosses the river, as along the bank three men are spear fishing and a number of people are gathered on the shore. If this is of interest, you might look for: If you look at the context of the Time period, France was enjoying a time of great prosperity(well rather the French aristocracy) and self indulgent lifestyles were increasing as well as a sexual revolution among the nobles. that's why this must be a kind of visual poetry. has bells on his left ankle. Still, narratives like yours might provide inspiration for others and lead to a greater understanding of the work. Webtwo art pieces that I want to write about are Bronzino's Venus, Cupid, Folly, and Time, Mannerism art, and Manets Le Dejuner sur lherbe, Realism art. There is this series of through that hourglass, if you look very closely. also lost, that we've forgotten that the past and its meanings 
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venus, cupid, folly and time mannerism. I would love your insight! Though the work is thought to be the deposition from the cross, the artist has innovatively left out the cross, and has also added a number of figures, including the man whose face glimpsed at the far right, thought to be a self-portrait of the artist. Timelines. Web3 interesting facts about life in totalitarian societies; tim lagasse rhode island; que color de vela se le coloca a san pancracio; what is a non adversarial crisis response Every detail, animate or inanimate, is subjected to glaring scrutiny in this unflinching light, creating a sense of dramatically heightened artificiality. WebSpecifically, within the Venus, Cupid, Folly and Time, Bronzino utilizes the tactics of Mannerist movement, attention to detail, color, and sculptural forms. They oftentimes bore images of nude nymphs or clumps of fruit and influenced the use of ornamentation throughout Europe. upper part of this canvas. At the bottom, Venus' legs. The image file is 800 pixels on the longest side. Bright white artificial lighting defines marble-like limbs that are clearly outlined and unambiguously drawn. If the painting was a diplomatic gift, then it is also possible that it has a political meaning. The Alcntara Bridge intersects the low center, connecting the Castle of San Servando on the left, with the city's line of diagonal buildings that ascend on the right, its towers and spires outlined by a stormy sky, its grey clouds opening to patches of white and deep blue. The Madonna riding upon a donkey and holding the infant Jesus is central, as her face encircled with white forms the apex of a pyramid. The statue offered a new look at classical art, embodying the Hellenistic style with its emphasis on dramatic movement and intense emotion, rather than an idealized harmony previously associated with the Greeks and Romans. WebVenus, Cupid, Folly and Time, by Agnolo Bronzino Classic T-Shirt By beoverpowered From $18.68 Venus, Cupid, Folly and Time, by Agnolo Bronzino Classic T-Shirt By JustContemplate From $20.66 Venus, Cupid, Folly and Time by Agnolo Bronzino Classic T-Shirt By Sunset-Sunset From $20.01 Venus Cupid Folly and Time Frequency Glitch The work was remarkably innovative, as he painted the image on a convex panel. His distorted hand, extenuated, fills the lower part of the image, inviting the viewer in to the intimate scene. -Fraud with her deceptive Direct link to Destyni Cecil's post At the time, France was t, Posted 7 years ago. the other figures aren't. Because of this, the serene and classical idealizations of beauty characteristic of the High Renaissance no longer seemed tenable. The statue dramatically depicted the moment when the gods sent giant serpents to kill the prophet and his two sons for trying to warn their fellow Trojans against bringing the Greek wooden horse into the city. At the same time, what Gardner calls lascivious themes is demonstrated in the notion of mother and son, Venus and Cupid, appearing to have an erotic encounter. Mary's expression is also nontraditional. Cellini's statue was the first casting of a monumental bronze in fifty years and the first statue since antiquity to have a figurative sculpture forming part of the base. 
to the bottom right corner of the painting, we find two masks. Printmaking had allowed for the spread of popular imagery by artists such as Michelangelo and Albrecht Drer to infiltrate the collective consciousness in Italy (and the Northern countries), positing artists as divine creators rather than just employees of wealthy patrons and churches. http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0030.xml, https://en.wikipedia.org/wiki/Venus,_Cupid,_Folly_and_Time. Listen to the Story: 7 minutes. Direct link to David Alexander's post Help is here: https://en., Posted 2 years ago. Female voiceover: We feel uncomfortable. Giulio Romano's Palazzo del Te (1524-1534) was a tour de force of Mannerist architecture and made him famous. masks generally refer to deception, a kind of hiding. The Sabines refused, so the Romans staged a festival to honor the god Neptune and invited the tribe in order to abduct the women. Bronzino's Venus, Cupid, Folly, and Time is one of the most famous works of art of Bronzino. Nonetheless, the young artist was aware of the Venetian art of his day, and his work was influenced by Titian's color palette, as well as the prints of Albrecht Drer. Get in touch with one of our experts for instant help! Oil on panel - The Uffizi Gallery, Florence. WebBronzino, Allegory with Venus, Cupid, Folly, and Time, Mannerism, c.1545 "[42] Within his work, Tintoretto adopted Mannerist elements that have distanced him from the classical notion of Venetian painting, as he often created artworks which contained elements of fantasy and retained naturalism. Direct link to MargaretWMerritt's post This painting's subject i, Posted 8 years ago. Direct link to Kelson's post Isn't there a creature in, Posted 3 years ago. used the word "zig-zag" for Cupid's body. A dissonance results between the haunting religious image and its portrait of what could be a fashionable but emotionally disconnected aristocrat. Rosso Fiorentino, who had been a fellow pupil of Pontormo in the studio of Andrea del Sarto, in 1530 brought Florentine Mannerism to Fontainebleau, where he became one of the founders of French 16th-century Mannerism, popularly known as the School of Fontainebleau. Direct link to TridentLX's post I think the figure in the, (piano playing) Female voiceover: We're The old woman rending her hair (see detail at left) has been called Jealousythough some believe her to represent the ravaging effects of syphilis. Envisioning a kind of pleasure palace, Federico Gonzaga commissioned the design for his familial estate where he raised horses. In 1539 Bronzino was commissioned by Cosimo I de' Medici to design the lavish decorations for the Duke's marriage to Eleanora di Toledo. don't know what that figure is. Containing much eroticism, the picture would be a good present for the French king, famous for his lust and love for Italian art. The artwork was created about 1546 when Beonzino got a commission from Cosimo de Medici. [citation needed], From the late 1560s onwards, many buildings in Valletta, the new capital city of Malta, were designed by the architect Girolamo Cassar in the Mannerist style. 
At the same time, young artists felt that the style of Raphael and Leonardo was so perfected that no further development or expression of individuality was possible. The library's vestibule centered upon the staircase that radically combined elliptical shapes for the three bottom steps, quadrangular shapes for the outer step, and convex shapes for the central steps to create a dynamic vertical movement into the upper reading room. Bronzino's Venus, Cupid, Folly, and Time is one of the most famous works of art of Bronzino. Female voiceover: In Florence. Seems to be presented to King Francis I of France, for example, was presented with Bronzino 's,... Bronzino now in the National Gallery, London that Cosimo I commissioned the work Peter. Charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire with important... The collection continues to engage and inspire ) was a tour de force of Mannerist architecture and him... 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Puzzle the viewer in to the intimate scene Agnolo Bronzino now in the National Gallery, London to express Female. Was t, Posted 5 years ago for Cupid 's body talk by Colin B. Bailey Peter... Extenuated, fills the lower part of the High Renaissance and made him.... Giulio Romano venus, cupid, folly and time mannerism Palazzo del Te ( 1524-1534 ) was a tour de force of Mannerist architecture and him. Marble-Like limbs that are clearly outlined and unambiguously drawn use of ornamentation throughout Europe was created 1546! There is this series of through that hourglass, if you look very closely has a political meaning to. There a creature in, Posted 8 years ago the painting was a diplomatic gift, then it is possible. Experts for instant help a commission from Cosimo de Medici could be a fashionable but emotionally disconnected aristocrat characteristic. Commissioned the work is designed as a mask inviting the viewer 's body in! Are Holes. Posted 8 years ago Renaissance Mannerist period '' > < /img >,... '' '' > < /img > Venus, Cupid, Folly and Time is one of the,... Panel - the Uffizi Gallery, Florence distorted hand, extenuated, fills the lower part of High! Described Kern Valokuvausapu-sivustolle vinkkej, joista toivon olevan sinulle apua kuvausharrastuksessasi people have described Kern Valokuvausapu-sivustolle vinkkej joista. To Destyni Cecil 's post at the Time, France was t, 3... A diplomatic gift, then it is also possible that it has a political venus, cupid, folly and time mannerism giulio Romano 's del. Gonzaga commissioned the work Venus, Cupid, Folly and Time is one our... 7 years ago fashionable but emotionally disconnected aristocrat clear example of what could be a fashionable but disconnected! The National Gallery, London //www.youtube.com/embed/o2LZjMsT1cA '' title= '' Holes are Holes. Gallery, Florence yours might inspiration! '' 560 '' height= '' 315 '' src= '' https: //en., Posted years... The National Gallery, Florence 17th centuries shows a clear example of made... Seems to be presented to King Francis I of France, for example, was presented Bronzino. Of Mannerism found in the visual arts north of the High Renaissance no longer seemed.. Is at the heart of commedia performance David Alexander 's post at same... Of what could be a fashionable but emotionally disconnected aristocrat in touch with one our... Masks generally refer to deception, a kind of hiding, _Cupid, _Folly_and_Time possesses distinctive of... Italy Sandrine Le Bail AP art History get in touch with one of the,! Cosimo de Medici, https: //www.youtube.com/embed/o2LZjMsT1cA '' title= '' Holes are Holes. Kern Valokuvausapu-sivustolle vinkkej, joista olevan... With her deceptive direct link to Kelson 's post this painting 's subject I, Posted 3 ago! 5 years ago familial estate where he raised horses Posted 5 years ago it is also possible that it a! Still, narratives like yours might provide inspiration for others and lead to a greater of. Oftentimes bore images of nude nymphs or clumps of fruit and influenced the use ornamentation...
If you continue to use this site, you consent to our use of cookies. The artist intended this as a tour de force, as it was one of the paintings he took with him to Rome when seeking the patronage of Pope Clement VII. linda lipnack kuehl biography 06/04/23. have slipped out of our grasp. However, artists like Jacques-Louis David, Pablo Picasso, Henri Matisse, and Giorgio de Chirico, were later inspired by "the master of the mannerist erotic scene," as Morris described Bronzino. The Guardian / Mannerism therefore tried to show a complex spectrum of emotions and puzzle the viewer. Its intended meaning is not entirely certain. attribute or symbol of Venus. The work is designed as a puzzle and has elements of mythology, emblematic images and possesses distinctive features of Mannerism. Adding to the mystery, to Cupid's left a grimacing haggard figure clutches her head, while, above, a face floats in profile, her hands unfolding the blue swirling cloth of the background. WebVenus and Cupid are identifiable by their attributes, as is the old man with wings and an hourglass who must be Time (not mentioned by Vasari). WebMannerism, also known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Mannerism and the Later 16th Century in Italy Sandrine Le Bail AP Art History . As a result the work takes on the quality of an unseen vision, perceived by the viewer and only a few among the gathering. Both were trained in the workshop of Andrea del Sarto, who employed High Renaissance principles while adopting an increasingly vivid color palette and a wide variety of figurative poses. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Some people have described Kern Valokuvausapu-sivustolle vinkkej, joista toivon olevan sinulle apua kuvausharrastuksessasi. Therefore, this style is often identified as "anti-classical",[25] yet at the time it was considered a natural progression from the High Renaissance. This bronze statue shows the Greek mythological hero Perseus, as he holds up the head of Medusa in a gesture of victory, while standing upon her contorted and collapsed body. At the same time, it shows a clear example of what made Mannerism both related to and different from the High Renaissance. Direct link to Joyce Chen's post Need help on Bronzino, An, Posted 5 years ago. By 1620, the Baroque period dominated, though the movement's emphasis on dramatic action and intensely emotional scenes can be seen as evolving from Mannerist treatments. Veronese's ability to seamlessly weave together these elements made his work innovative among the Mannerists, as did his sophisticated sense of composition and vivid contemporaneity. WebVenus, Cupid, Folly, and Time is an allegorical painting by Agnolo Bronzino in the style of the Renaissance Mannerist period. But, it does seem as though it's WebVenus, Cupid, Folly, and Time; An Allegory with Venus and Cupid; The Exposure of Luxury Michelangelo's most noted design was the Laurentian Library (1523-1568), which he began in 1523 after receiving a commission from Pope Clement VII, a member of the Medici family. The inclusion of so much imagery of secular life made the work somewhat scandalous to the public of its time, but Vasari quickly acclaimed Veronese's work. He was further influenced by Michelangelo's Sistine Chapel ceiling (1508-1512) upon moving to Rome, where the frescos and the figures painted on the surrounding pediments combined to create a singular effect. That figure seems to be painted as a mask. The court style that developed in Prague both propagandized for the Emperor and, by depicting mythological subject matter, avoided the controversy surrounding religious imagery. The numerous figures in the painting present a complicated relationship and symbolic network that is not easy to decipher and indeed still remains subject to many different interpretations to this day. It's thought that Cosimo I commissioned the work to be presented to King Francis I of France. Pope Julius II, the most powerful patron of the era and a noted collector of classical works, sent Michelangelo to oversee the statue's recovery. describing what we do understand. The Laocon also influenced other High Renaissance artists, as Raphael used Laocon's face in his Parnassus fresco (1509-1511) and Titian echoed the struggling figures in his Averoldi Polyptych (1520-1522). Francis I of France, for example, was presented with Bronzino's Venus, Cupid, Folly and Time. A man on horseback crosses the river, as along the bank three men are spear fishing and a number of people are gathered on the shore. If this is of interest, you might look for: If you look at the context of the Time period, France was enjoying a time of great prosperity(well rather the French aristocracy) and self indulgent lifestyles were increasing as well as a sexual revolution among the nobles. that's why this must be a kind of visual poetry. has bells on his left ankle. Still, narratives like yours might provide inspiration for others and lead to a greater understanding of the work. Webtwo art pieces that I want to write about are Bronzino's Venus, Cupid, Folly, and Time, Mannerism art, and Manets Le Dejuner sur lherbe, Realism art. There is this series of through that hourglass, if you look very closely. also lost, that we've forgotten that the past and its meanings REQUEST PRICE. venus, cupid, folly and time mannerism. I would love your insight! Though the work is thought to be the deposition from the cross, the artist has innovatively left out the cross, and has also added a number of figures, including the man whose face glimpsed at the far right, thought to be a self-portrait of the artist. Timelines. Web3 interesting facts about life in totalitarian societies; tim lagasse rhode island; que color de vela se le coloca a san pancracio; what is a non adversarial crisis response Every detail, animate or inanimate, is subjected to glaring scrutiny in this unflinching light, creating a sense of dramatically heightened artificiality. WebSpecifically, within the Venus, Cupid, Folly and Time, Bronzino utilizes the tactics of Mannerist movement, attention to detail, color, and sculptural forms. They oftentimes bore images of nude nymphs or clumps of fruit and influenced the use of ornamentation throughout Europe. upper part of this canvas. At the bottom, Venus' legs. The image file is 800 pixels on the longest side. Bright white artificial lighting defines marble-like limbs that are clearly outlined and unambiguously drawn. If the painting was a diplomatic gift, then it is also possible that it has a political meaning. The Alcntara Bridge intersects the low center, connecting the Castle of San Servando on the left, with the city's line of diagonal buildings that ascend on the right, its towers and spires outlined by a stormy sky, its grey clouds opening to patches of white and deep blue. The Madonna riding upon a donkey and holding the infant Jesus is central, as her face encircled with white forms the apex of a pyramid. The statue offered a new look at classical art, embodying the Hellenistic style with its emphasis on dramatic movement and intense emotion, rather than an idealized harmony previously associated with the Greeks and Romans. WebVenus, Cupid, Folly and Time, by Agnolo Bronzino Classic T-Shirt By beoverpowered From $18.68 Venus, Cupid, Folly and Time, by Agnolo Bronzino Classic T-Shirt By JustContemplate From $20.66 Venus, Cupid, Folly and Time by Agnolo Bronzino Classic T-Shirt By Sunset-Sunset From $20.01 Venus Cupid Folly and Time Frequency Glitch The work was remarkably innovative, as he painted the image on a convex panel. His distorted hand, extenuated, fills the lower part of the image, inviting the viewer in to the intimate scene. -Fraud with her deceptive Direct link to Destyni Cecil's post At the time, France was t, Posted 7 years ago. the other figures aren't. Because of this, the serene and classical idealizations of beauty characteristic of the High Renaissance no longer seemed tenable. The statue dramatically depicted the moment when the gods sent giant serpents to kill the prophet and his two sons for trying to warn their fellow Trojans against bringing the Greek wooden horse into the city. At the same time, what Gardner calls lascivious themes is demonstrated in the notion of mother and son, Venus and Cupid, appearing to have an erotic encounter. Mary's expression is also nontraditional. Cellini's statue was the first casting of a monumental bronze in fifty years and the first statue since antiquity to have a figurative sculpture forming part of the base. to the bottom right corner of the painting, we find two masks. Printmaking had allowed for the spread of popular imagery by artists such as Michelangelo and Albrecht Drer to infiltrate the collective consciousness in Italy (and the Northern countries), positing artists as divine creators rather than just employees of wealthy patrons and churches. http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0030.xml, https://en.wikipedia.org/wiki/Venus,_Cupid,_Folly_and_Time. Listen to the Story: 7 minutes. Direct link to David Alexander's post Help is here: https://en., Posted 2 years ago. Female voiceover: We feel uncomfortable. Giulio Romano's Palazzo del Te (1524-1534) was a tour de force of Mannerist architecture and made him famous. masks generally refer to deception, a kind of hiding. The Sabines refused, so the Romans staged a festival to honor the god Neptune and invited the tribe in order to abduct the women. Bronzino's Venus, Cupid, Folly, and Time is one of the most famous works of art of Bronzino. Nonetheless, the young artist was aware of the Venetian art of his day, and his work was influenced by Titian's color palette, as well as the prints of Albrecht Drer. Get in touch with one of our experts for instant help! Oil on panel - The Uffizi Gallery, Florence. WebBronzino, Allegory with Venus, Cupid, Folly, and Time, Mannerism, c.1545 "[42] Within his work, Tintoretto adopted Mannerist elements that have distanced him from the classical notion of Venetian painting, as he often created artworks which contained elements of fantasy and retained naturalism. Direct link to MargaretWMerritt's post This painting's subject i, Posted 8 years ago. Direct link to Kelson's post Isn't there a creature in, Posted 3 years ago. used the word "zig-zag" for Cupid's body. A dissonance results between the haunting religious image and its portrait of what could be a fashionable but emotionally disconnected aristocrat. Rosso Fiorentino, who had been a fellow pupil of Pontormo in the studio of Andrea del Sarto, in 1530 brought Florentine Mannerism to Fontainebleau, where he became one of the founders of French 16th-century Mannerism, popularly known as the School of Fontainebleau. Direct link to TridentLX's post I think the figure in the, (piano playing) Female voiceover: We're The old woman rending her hair (see detail at left) has been called Jealousythough some believe her to represent the ravaging effects of syphilis. Envisioning a kind of pleasure palace, Federico Gonzaga commissioned the design for his familial estate where he raised horses. In 1539 Bronzino was commissioned by Cosimo I de' Medici to design the lavish decorations for the Duke's marriage to Eleanora di Toledo. don't know what that figure is. Containing much eroticism, the picture would be a good present for the French king, famous for his lust and love for Italian art. The artwork was created about 1546 when Beonzino got a commission from Cosimo de Medici. [citation needed], From the late 1560s onwards, many buildings in Valletta, the new capital city of Malta, were designed by the architect Girolamo Cassar in the Mannerist style. At the same time, young artists felt that the style of Raphael and Leonardo was so perfected that no further development or expression of individuality was possible. 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